After Effect’s Fill effect is a very useful effect. If you have never used you probably should look into it. It’s the simplest effect. It just applies a color onto a layer. Basic stuff.

The weird thing with this effect is that its opacity property acts the same as with the Transform effect. It just bypasses the layer’s opacity. I’ve thought long and hard about why the After Effects team could’ve made that decision and never got to any conclusion. This feels like a bug that was called a feature but let’s give them the benefit of the doubt.

CC Composite is the solution

Now, there is a somewhat simple, yet not evident, way to fix this. The magic of CC Composite, a lesser-known effect that allows to composite your initial layer in your layer’s effects stack.


A composition naming system for After Effects

Written on 24 November 2016, 12:15pm under Techniques

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First, I want to stress that I think that, to many After Effects users, organization and methodology is the most underestimated pain point and undervalued aptitude. These do not make the coolest tutorials, but developing a structure is what makes working in After Effects enjoyable.

Organization isn’t fun, but it allows fun to blossom

I am a little obsessive about order and organization. In the past, always searching for a composition in a stack of Pre-comp X used to take a lot of mental energy away from me. It would render my work process dull and inflexible. Coming from a programming background, I knew I needed more structure. I needed a system.

I have worked with many of animators over the years and came to the conclusion that there are probably as many ways to organize an After Effects file as there are After Effects licenses. Some people have folders hierarchy into which they classify their compositions; some prefer color codes and some just straight up improvise on each and every new project.

After some unsuccessful research for a system that would fit my work, I experimented various classifying and naming techniques. Today, after about three years of tweaking and using this system on more than 100 projects, I feel confident about its validity. Of course, usual disclaimer, this might not work as is for everybody. This article is very opinionated and takes into account only my personal use cases, so take it with a grain of salt and feel free to adapt it to your needs.

I have written a bit about file naming in a previous article. This one will especially tackle the compositions naming inside of a project.


A File Naming Convention

Written on 25 March 2015, 04:27pm under Resources

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A well-structured naming convention is part of a good work hygiene. It simplifies your thought process on many small operations (saving, searching, sending, etc.) and removes risks of accidentally deleting or overwriting files. I won’t have the pretension to call this the file naming convention you should follow, but rather just propose it as a personally tested convention I find efficient and easy to follow.

After Effects Shortcuts Cheat Sheet

Written on 17 June 2014, 04:55am under Resources

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After Effects has lots of shortcuts. Having them all in the same place makes it easier to find one in particular or to just learn those available.

This list has been generated from the shortcut file content which can be modified as explained in this article.

These are shortcuts for After Effects CC on OS X, but should be fairly similar on previous version or on windows.


Expressions are a really powerful feature in After Effects. It can help you improve the quality and fluidity of your animation but it can also help you organize your project. Expressions if used well, gives you the opportunity to create yourself a custom dashboard on which you can control various global variables.

Create a controller

It is a good practice to keep a controller layer in a separate stand-alone composition. You will often see such a thing when you purchase items from marketplaces such as VideoHive.

But even when not selling your source files, you should act as if. Be it for a co-worker taking over your project or just the future you, who won’t enjoy searching through a messy compositions structure.


Easing the gif creation process part 1: GifRocket

Written on 1 October 2013, 12:42am under Techniques

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To follow-up on our article 15 great animated gifs on Dribbble, it makes sense that we look at how we can make such gifs as swiftly as possible. We will go over this in two separate articles. We’ll first see in this article how to quickly turn a rendered video file into a gif without having to use Photoshop. In the second part we’ll use some ExtendScript to speed-up the process of rendering in After Effects and opening the video file in Photoshop.


How to use checkbox expressions in After Effects

Written on 15 September 2013, 01:42pm under Quick Tips

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You will often find yourself toggling the visibility of layers in After Effects. This can get really cumbersome and hazardous to click all those little eye icons in deeply nested compositions. Having a controller layer on top of everything with some checkbox expressions can really help organizing everything out.

Select the layer you’d want to toggle and add this expression in its opacity property.

(comp("the-comp-name").layer("the-layer-name").effect("the-checkbox-effect")("Checkbox") == 1 ? value : 0)

This layer will then show when the checkbox is checked. To invert the effect, just invert the value and the 0.

Heads up!

Most layers, when hidden, will not add time to renders and RAM Previews although sometimes, mostly when the hidden layer has expressions, it will still be processed when rendering.