A composition naming system for After Effects

Written on 24 November 2016, 12:15pm under Techniques

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First, I want to stress that I think that, to many After Effects users, organization and methodology is the most underestimated pain point and undervalued aptitude. These do not make the coolest tutorials, but developing a structure is what makes working in After Effects enjoyable.

Organization isn’t fun, but it allows fun to blossom

I am a little obsessive about order and organization. In the past, always searching for a composition in a stack of Pre-comp X used to take a lot of mental energy away from me. It would render my work process dull and inflexible. Coming from a programming background, I knew I needed more structure. I needed a system.

I have worked with many of animators over the years and came to the conclusion that there are probably as many ways to organize an After Effects file as there are After Effects licenses. Some people have folders hierarchy into which they classify their compositions; some prefer color codes and some just straight up improvise on each and every new project.

After some unsuccessful research for a system that would fit my work, I experimented various classifying and naming techniques. Today, after about three years of tweaking and using this system on more than 100 projects, I feel confident about its validity. Of course, usual disclaimer, this might not work as is for everybody. This article is very opinionated and takes into account only my personal use cases, so take it with a grain of salt and feel free to adapt it to your needs.

I have written a bit about file naming in a previous article. This one will especially tackle the compositions naming inside of a project.

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Expressions are a really powerful feature in After Effects. It can help you improve the quality and fluidity of your animation but it can also help you organize your project. Expressions if used well, gives you the opportunity to create yourself a custom dashboard on which you can control various global variables.

Create a controller

It is a good practice to keep a controller layer in a separate stand-alone composition. You will often see such a thing when you purchase items from marketplaces such as VideoHive.

But even when not selling your source files, you should act as if. Be it for a co-worker taking over your project or just the future you, who won’t enjoy searching through a messy compositions structure.

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Easing the gif creation process part 1: GifRocket

Written on 1 October 2013, 12:42am under Techniques

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To follow-up on our article 15 great animated gifs on Dribbble, it makes sense that we look at how we can make such gifs as swiftly as possible. We will go over this in two separate articles. We’ll first see in this article how to quickly turn a rendered video file into a gif without having to use Photoshop. In the second part we’ll use some ExtendScript to speed-up the process of rendering in After Effects and opening the video file in Photoshop.

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Using the After Effects command line render

Written on 11 September 2013, 03:35am under Techniques

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Adobe provides us some command line interface to start renders without having to start After Effects (here’s the documentation). This can be really useful when using multiple computers on remote desktops or just to give you the ability to alt+tab, start your render and keep on working. It offers a lot of options and possibilities. We won’t go over all of them, but we’ll instead focus on creating bash aliases to execute what we would probably mostly want. Don’t worry if you’ve never used the command line, we’ll go over all there is to know.

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